Plumbing the psyche for playwriting by Clara Chow

One of our participants from this year’s Writing from the Heart workshop, Clara Chow, wrote an honest, heartwarming piece about her personal experience of the workshop in The Straits Times.

In the end, I realise that my stories go nowhere because I am the kind who lets things remain the way they are. I see the patterns and I know why people act a certain way around me, but I remain paralysed as to changing these patterns and my way of reacting to see people. If I am willing to deal with problems directly, there is a chance that something will give way and a true resolution will be found – in life, as well as in fiction. Life serves art. – Clara Chow

Thank you for sharing Clara, we’re glad you found the workshop to be a safe place to learn and share.

 

With the 24-Hour Playwriting Competition just around the corner, we thought it would be a good idea for some of our past winners to share with you some sound advice on how to survive and get through the 24-Hours!

 

The deadline for registration is 20 July 2016. Don’t miss your chance, sign up and start writing!

Download the registration form here.

THE BEST WRITING DEAL IN TOWN!

Sign up for the Writing from the Heart Workshop,
& participate in the 24-Hour Playwriting Competition FREE!

When you sign up for the Writing from the Heart Workshop ($200), a spot in the 24-Hour Playwriting Competition (originally $40 for the Open Category) will be included for FREE! What better way to utilise the skills you’ve learnt from the workshop than to try your hand at writing a play in under 24 hours?

Click for more information on:

1) Writing from the Heart

2) 24-Hour Playwriting Competition

Don’t miss this great offer and sign up now!

Writing from the Heart Playwriting Workshops this July!

TheatreWorks is organizing a 6-day interactive playwriting workshop at 72-13 this July! Conducted by Tony Perez, renowned playwright and novelist from the Philippines, these workshops comprises a series of interactive hands-on exercises designed to enable participants to discover their inner self and creativity in exploring the basics of playwriting.

After the successful edition of Writing from the Heart in 2014 and 2015, Writing & Community once again invites him to conduct an interactive playwriting workshop this July 2016.

This series of workshops aims to:

  • Unearth and inspire new playwriting enthusiasts from within the community
  • Share one of the region’s best playwriting skills and expertise with the community
  • Develop new plays through a post-workshop mentorship and dramaturgy programme

Writing from the Heart has previously discovered over 30 new writers and gave them the basics in playwriting. Through a series of hands-on exercises, which include drawing, dialogue and interpersonal interaction between participants, the mentor and within themselves, these exercises drew out the writers’ potential from within and these discoveries became important material and inspiration for playwriting.

Emerging Singaporean playwright Helmi Yusof, first penned his new play My Mother Buys Condoms at the workshop in 2014. It was then further developed over a period of one year through a series of dramaturgical clinics under the guidance of Perez, before being presented to the public at a dramatized reading in July 2015. Since then, it has been picked up by local theatre company, W!ld Rice, to be staged professionally as a full production at the Singapore Theatre Festival in July 2016. Helmi is one of the success stories that TheatreWorks is proud to have nurtured and supported through its Writing & Community programme.

“… Tony Perez is a wonderful, thoroughly unconventional and intuitive teacher. He talks about everything from chakra points and meditation to Freud and Jung, and you’re asked to try them out in class, so you have to have a very, very open mind.”  – Helmi Yusof, participant of Writing from the Heart 2015.

“… Everyday there was a self discovery – from our favourite character in a fairytale to our imbalanced chakras, which we balanced through the use of a pendulum, to the Eros and Thanatos concept which improves the inner voice in writing …” – Eliete Vivino, participant of Writing from the Heart 2014.

“… The workshop exceeded my expectations. It gave me fresh perspectives on writing and that writing should come from the heart. I loved how interactive the workshop was. I left the workshop inspired by all the participants and Tony …” – Serene Tan, participant of Writing from the Heart 2014.

TheatreWorks is now seeking a new group of writers for this workshop. Those interested,  please email ezzat@theatreworks.org.sg or call Ezzat at 6737-7213 to register.

Workshop Details:
18 July to 23 July 2016
Venue: 72-13 Mohamed Sultan Road, Singapore 239007
Registration Fee: $200
Open to participants 17 years and above.

Limited to 20 participants.


Session 1, Introduction to Writing from the Heart
18 July 2016 (Monday), 7 – 10pm

Session 2, Strengthen one’s power of observation & creative visualisation
19 July 2016 (Tuesday), 7pm – 10pm

Session 3, Creating characters & dialogue
20 July 2016 (Wednesday), 7pm – 10pm

Session 4, Working with a premise; Creating a dramatic plot
21 July 2016 (Thursday), 7pm – 10pm

Session 5, Conceptualise & Visualise the theatre space
22 July 2016 (Friday), 7pm – 10pm

Session 6, Deconstruct, structure & restructure and shaping the Narrative
23 July (Saturday), 10am – 1pm

Session 7, Delivering Creative Group Dynamics
23 July (Saturday), 2pm – 5pm


About Tony Perez

Tony Perez is a Filipino playwright, novelist, and visual artist with an M.A. degree in Religious Studies, an M.A. candidacy in Clinical Psychology, and an A.B. in Communication. He has authored two major, full-length trilogies of plays in Tagalog, some of which have been translated into English and Polish. His full-length play “Trip to The South” were performed in New York and in Singapore; another full-length play, “On The North Diversion Road,” was performed in Melbourne and in Singapore. After having more than 40 books published in the Philippines, he is devoting the rest of his life to posting his new and forthcoming books in cyberspace. They can be accessed through his main blog site, http://www.tonyperezphilippines.blogspot.com. His artworks have been showcased in more than 15 exhibitions.

Perez is also the founder of the Spirit Questors, a group of young, psychic volunteers who render service to the public free of charge. Among his other interests are fiber art, puppetry, the use of drama in psychotherapy. In his home country, he conducts workshops to underserved audiences such as victims of human trafficking and sexual abuse, children in conflict with the law, prison inmates, child combatants, and residents of drug rehabilitation centers.

Perez has worked with TheatreWorks since the 1990s. He led in workshops like Writing from the Subconscious (1990), Explore the Physical Psychic Sense for Creative Writing (1992) and wrote Trip to the South performed at the ASEAN Season Festival in 1991.

Curtain Call: Between Consciousness

Our Community Tour of Between Consciousness ended last Saturday after touring the South East District. We would like to thank everyone who came down and for your support!

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We caught up with some members of the audience after our shows, who shared with us their thoughts and feelings. We also got a chance to hear some insights and discussions during the post-show talks. Between Consciousness was about a father who struggles with his son who has autism, and other people’s ignorance. Many audience members shared how they really liked the play and the acting, and how they connected with the characters and the show in one way or another.

“At the end of the day, somehow all of us do experience one form of mental issues in some part of our life journey. Perhaps only difference is, we are able to control it and some can’t”.  – Suhani Sujari, 27 Feb

“The performance was very touching. I felt the frustration of the father and the kid, and how they want to connect with each other”. – Rachel Lim, 4 March

“The play resonated with me in a very emotional and personal way. The struggle felt so real that it made me want to escape the  Avery’s imaginary world”. – Sanny Paiman, 5 March

“The portrayal of the autistic child and the father’s frustration were so genuinely authentic.  I am glad that the play promotes awareness for autism so society can be more understanding about the pain and difficulty of our fellow men”.  – Doreen Tay, Allied Educator, 17 March

“It was very touching and made me look at people with autism in a different light. They are not that different from us”. – Sabarna, 18 March

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It’s extremely heartwarming for us to know that this through this performance, some members of the audience gained a better understanding of mental health and of people living with autism.

“As a someone who has not been exposed to anyone with autism, the performance allowed an insight into it”.  – Constance Cher, 4 March

“The play helped me understand people living with autism’s sensory experience better”. –  Lim Jia Ying, 25 Feb

“I grew up with close contact with people of autism as well, and this play really gave me an interesting perspective into the mind inside a child with disabilities”. – Myron Ng, 4 March

“Autism is a theme often neglected in the protrayal of mental health and this performance was fresh and realistic”. – Eileen Wee, 4 March

“The show allowed me to think about the stigma as well as lack of understanding (of mental health issues) in society. It was also striking to see the father’s helplessness and frustration”. –  Toh Xin Rui, 19 March

Dr Maliki Osman, our Guest of Honour also shared with us his thoughts about the performance, and about TheatreWorks’ on-going partnership with South East CDC.

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In South East CDC, we believe in using arts as a medium of connecting people together. It’s very difficult to get people to the theatre, so we decided to bring theatre to the people. In the last eight years, as we bring theatre to the community,  we also bring issues to the community. The key is not just about any show, but a show that allows us to ponder on very challenging issues.

Thank you Dr Maliki Osman, for sharing your thoughts with us!

TheatreWorks’ Engagement programmes are developed to encourage audiences to appreciate theatre and use theatre as a forum to raise and discuss taboo yet critical issues facing the community today. Mental health is a broad topic, we hope that everyone left the show with more than when they came in – regardless of if its knowledge, questions, or thoughts about the issues of mental health.

Thank you everyone for your support! We hope to see you at our other events!


TheatreWorks will continue its to spot talent from the community and continue to develop and nurture playwrights. Keep a look out for information on our next Writing & Community programme – the 24-Hour Playwriting Competition! (Info soon to be released!). In the meantime, check out our main blog for updates on our next productions!

Thoughts on ‘Between Consciousness’

TheatreWorks Ambassadors’ Programme offers numerous opportunities for everyone to get involved in the arts. Whether you’re an avid theatre-goer or even if its your first time venturing to the theatre, we warmly welcome you to join us.

Geraldine Loh, one of our new Ambassadors, shared with us her virgin experience in the theatre while helping out during Between Consciousness. 

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I was fortunate to have the opportunity to volunteer with TheatreWorks for their show Between Consciousness. Besides volunteering at front of house, I also got to catch the performance by the first prize winner of TheatreWorks’ 24-Hour Playwriting Competition with the audience.

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Our audience shares… #1

 

Our Community Tour, Between Consciousness has toured to Mountbatten CC and Siglap South CC in the South East District these past weeks. Coming up this week, from 17-19 March 2016, we’ll be at Marine Parade CC. This will be your last chance to watch the show!

Not too sure what to expect? We caught up with some of our audience members and they shared with us their feedback about the show.

The performance showed the loveable side of people with autism which may exist beyond the surface“. – Karen Tan, 26 Feb

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Conversation with Set Designer, Gerald Leow

Gerald Leow returns again for the second consecutive year to design the set for another Community Tour. Gerald creates sculptures for theatre sets. As an artist he works with visual culture and uses it to shed light on the nature of authenticity, culture & identity. He is also currently designing props for the National Day Parade 2016.

The set represents the many levels of consciousness and the complexity of the human mind.

Gerald Leow, Set Designer, Between Consciousness

Gerald (edited)


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Conversation with Actor, Ivan Lim

Previously associated with TheatreWorks, Ivan Lim was one of the nine performers for Joavien Ng’s creation of Incarnation of the Beast. Despite knowing Isaac since secondary school days, the pair get to work with one another for the first time through Incarnation of the Beast. This time, Isaac takes on the role as a playwright, while Isaac acts as a child with special needs in the play. With the pair working together once again, we look forward to see what will spark in between them and the other members of the team.

“At first I was slightly confused, but as I read on, I fell in love with it. I am having a joy ride with this script. Every time I read the script, I find something new and after each rehearsal, I discover a new aspect of the character”.

– Actor, Ivan Lim, Between Consciousness

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